It’s been a long road putting together the Salt Creek documentary. I’m sure that there are people who wonder why it has taken so long. Film, edit, slap it together. And, at one point, I thought that.
Turns out it’s a lot more complicated than that, especially when there is no funding or backers and one doesn’t drive. The first month or two (or more) of filming, I’d cab it to Salt Creek to film. Sure, it would have been cheaper to catch a bus there and back – a lot cheaper. Then, once my daughter and her family moved back to the area, she was able to drive me there and back. She’s a big help, too; it didn’t take long to figure out how to start putting the equipment together, then break it down at the end. But when transportation dies, it makes things a little dicey. If I thought it’d be interesting carting cameras (video and DSLR), tripods, a dolly, etc. on a PSTA bus, it’d be downright impossible on the back of a scooter.
The next step is to start putting the film, or the useful parts of the film, into a cohesive story, see where I’m short on storyline, contact any of the artists who I might need to film and get a time for filming, film at least the outside of the buildings where the artists have landed (two places so far, as far as I know, with the majority of the group in one place, a few in the other spot a block or two away), as well as some shots of downtown St. Petersburg for the beginning of the documentary, and maybe a few interviews with others in the art community. Of course, I might also need to talk with one of the Tampa Bay Times photographers and one of the writers for the St. Petersburg Times segment of the Tampa Bay Times, both of who documented different aspects of the closing. I’ve also recently contacted a soon-to-graduate grad student at USFSP about possibly using some of his short on Salt Creek Artwork. Any info, film, photos, etc. included into the final documentary will of course be given credit; anyone who has helped over the course of filming, etc., will be properly acknowledged in the credits.
Several years back, I spoke with someone I know who has been filming short films for a while. I had asked questions, figuring I’d hear something like, “Yeah, grab a video camera, figure out what you want to film, and go to work.” Turns out, he advised that the first few shorts would be learning projects and that the first longer one would be take longer than I anticipated, take more film than I’d figured on, and generally be a lot of work; I’d best be up to the task and actually enjoy the process, since there’d be times when I’d wonder what the heck I’d gotten myself into. Turns out, he was right on the money.
I wouldn’t trade the trip thus far; I’m still moving forward.